There are few genres Belgium’s Sidi Larbi Cherkaoui hasn’t tried his hand at. Over the past 25 years, his eclectic approach has taken him from television to the Shaolin Temple, from voguing and African dance to the contemporary scene. In 2015, he also became the artistic director of the Royal Ballet of Flanders – an entirely new challenge. He spoke with ICONS ahead of his first creation Medusa for London's The Royal Ballet,

Read the Full Interview with Sidi Larbi Charkaoui 

ICONS INSPIRE is a monthly digital portrait and a one-on-one interview with a groundbreaking choreographer. Get the insider point of view on an important dancemaker creative process, background and training to inspire, provoke and challenge your intellectual repertoire.

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• IS MENTORSHIP NEEDED AND WHY?
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Your responses...

• Truly B. - Having a mentor can be a very valuable asset as an artist is starting out. Being paired properly is beneficial to both parties; one gets access to a wealth of experience while the other is challenged to remain fresh and connected.
• Cheryl J. - Mentorship In choreography would be beneficial for choreographers who work with the NTID, where sign language is an integral component to the overall composition. This is a complex union of storytelling, communication, and dance design.
• Peter T. - In early career mentorship is great, but later on - a simple feedback is preferable.

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