One of the prime movers in our changing perceptions of narrative dance is choreographer Cathy Marston, whose works feature in major international companies. She speaks with ICONS before her premiere of The Cellist, for The Royal Ballet in London. Based on the life of Jacqueline du Pré, it melds musician into a dancer in Marston’s inimitable style where the essence of the narrative is paramount.

Read the Full Interview with CATHY MARSTON 

ICONS INSPIRE is a monthly digital portrait and a one-on-one interview with a groundbreaking choreographer. Get the insider point of view on an important dancemaker creative process, background and training to inspire, provoke and challenge your intellectual repertoire.

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Welcome to ICON SMART! We are happy to announce the recent creation of the first ever Choreographic Institute here in Washington, D.C. USA --- a long needed educational platform to foster creativity and develop professional skills specifically for emerging choreographers. Our Info Pack is available to download here.

ICONS NEXT STEP is updated monthly with national and international listings featuring the latest choreographic residencies, creative opportunities, world premieres, events, trends, new books, movies, videos, and choreographic topics. 

• How do we teach choreographic craft?
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Your responses...

• Laura C. - Shadowing an amazing choreographer who has reached artistic maturity can be an incredible learning process.
• Melissa K. - Choreographers first need to learn the basics -- time, space, force. Then tackle more complex issues -- form, style, abstraction, compositional structures, and choreographic devices.
• Julia G. - Perhaps compositional techniques are a craft, but choreography encompasses more than composition. Trial and error, an openness to ambiguity are necessary ingredients. Teaching is presenting tasks with the aim to explore process and create art.

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